Behind the painstaking process of creating Chinese computer fonts

Bruce Rosenblum switched on his Apple II, which rang out a high F note followed by the clatter of the floppy drive. After a string of thock thock keystrokes, the 12-inch Sanyo monitor began to phosphoresce. A green grid appeared, 16 units wide and 16 units tall. This was “Gridmaster,” a program Bruce had cooked…